Our background in designing high-end, residential interiors allows us to do much more than just design of the boardroom table - we can fashion the entire environment, including the lighting, décor and choice of art.

We create eye-catching furniture for reception areas that make a great first impression on visitors to your office. The reception area needs to be functional but also communicate subliminal themes relating to your company. We develop these into a brief.

The use of high-quality handmade, bespoke furniture is at the heart of our design philosophy. The art of private office design involves creating harmonious and calming environments that promote concentration and good decision making.

The office of the future needs to be a more sociable place as hospitality is the key to making employees feel the office is not just the place they work. Brainstorming, informal meetings and laptop flexibility all mean that social spaces should be an important addition to the traditional office.

Designers can help identify and bring out the best of the features of your space to make a flexible, functional and exciting environment with both public and private areas that compliment activities of the company and staff. An example is deciding whether or not to place desks facing out the window or in towards colleagues.

Custom pieces bring a great sense of quality to a room and can also solve space shortages or storage issues. Individual furniture items like a chest to house old maps, a computer desk with hidden storage for a hard drive or book shelves made to fit can turn an awkward shaped office into a well functioning space.

Along with eleven international designers, we transformed a 19th century townhouse in Gramercy Park, New York into a home for characters in six Showtime series: Dexter™, Californication, The L Word®, The Tudors, United States of Tara and Weeds.

Revolving around the murderer-cum-vigilante Dexter Morgan, played by actor Michael C. Hall,

In a private residence on Russian Hill overlooking the Golden Gate Bridge we were asked by the committee to create a radical idea for a living space that was not a kitchen but more of a room to retire to, to be inspired by, with flexibility of use. The phrase 'A Room for All Reasons' was coined with Agnes Bourne, the nationally respected designer whom we used as the mentor.

Grand Designs exhibition team asked us to contribute to the show with a design that makes cooking pleasurable. Our circular, all round vision island kitchen created a lot of interest, as cooking becomes a sociable activity and so encourages care and less hurry with food. Slow cooking was beginning to take off during that summer.

Electrolux was keen to continue with Johnny's studios to show their appliances. This time the new Icon collection was our focus. Kevin Hackett and the design team created an imaginary Kitchen of the Future, using new materials and daring shapes, turning conventional kitchen furniture into sculptural pieces that helped you enter into a future world.

Electrolux asked Johnny to help promote their new professional style appliances to USA designers and architects by designing the ultimate sociable kitchen experience. Along with Kevin Hackett, USA design director at the time we created a sweeping, multifunctional island with places to perch that formed the centre of their booth.